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The Quickest Money On The Internet And How It’s Being Made … Sep 15

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Submitted by: Isaac Alston

Fast and quick ways to make money are hard to come by. Most of the people seeking for quick ways to make money are taking all the wrong turns when it comes to finding out how you can make it. One of the simplest and probably the most popular quick ways to make money is affiliate marketing and or Google adsense.

Most of the people seeking for some quick ways to make money are taking all the wrong turns when it comes to finding out how you can make it. Fast and quick ways to make money are hard to come by. One of the simplest and probably the most popular quick ways to make money is affiliate marketing and or Google adsense. Whenever someone is seeking information on the internet for ways to make money, one of the things they type in is, fast and quick ways to make money.

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Do you have the skills to quickly make money online. There are great ways to make money fast, a few hundred dollars a month is possible to come up with very quickly if you know what to do. Like any other business, it takes time and energy to learn the ropes. These include affiliate marketing, pay per click marketing, cost per action (CPA), building your own Internet business and selling your own products. One of the most important aspects of selling is by generating business opportunity leads. This is really very important in order to ensure healthy conversion rates in your business.

Hard work is very crucial when starting a online business or when trying to earn extra cash online. Article marketing is a freelancing job in which you can earn quite a sum of money online by writing articles. Internet Affiliate Marketing Business: This is also a free online money making method in which you have to sell products through blogs and earn some hefty commission. As opposed to marketing your own business, affiliate marketing is selling other businesses’ products and services through your blog or social networking account.

The quick ways to make money online include answering paid surveys, freelance writing, starting a fun blog, affiliate marketing, pay per click, making product reviews and Google adsense is also a good choice. Landing pages are used mainly to improve a Marketers email list. The principal of this scheme is very simple and as a rule all internet marketers that have been doing this business for years have their email lists of their previous customers and for a good reason 95% to 98% of the people who visit your site will not purchase from you right away. With a mailing list you can continue to market them and remind them to come back to your site.

Regardless of what websites say, people did not fall into $1000 in their first few days online. Always keep in mind, what ever pick of logical, free, online money making ideas you decide, you should be prepared to acquire the skill of how to merchandise your blog or website (Google adsense) and put in your hard work to achieve success.

Another major hurdle in your search of quick ways to make money is when the opportunities available do not seem to fit your skill, knowledge, or capacity. Most of the resources for these quick ways to make money are available for free; you can just Google everything you want to know and you’ll be surprised at the huge information available for you. Another good idea is to find someone.

About the Author: Isaac Alston helps people succeed with online marketing. For a more definitive look at Adsense or if youneed help and just Want to start making money with internet marketing. Real world techniques and tactics are one click away at

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Day 1 report of Wikimania 2006
Sep 14
This article mentions the Wikimedia Foundation, one of its projects, or people related to it. Wikinews is a project of the Wikimedia Foundation.

Sunday, August 6, 2006

Wikimania 2006 is the second annual Wikimedia conference. Hosted by the Berkman Center for Internet and Society at the Harvard Law School campus in Cambridge, Massachusetts, it began August 4 and will run until August 6.

Wikimania began with a keynote presentation from Jimmy Wales, the founder of Wikipedia and the Wikimedia Foundation. Wales played a short portion of a clip from a recent episode of U.S. television program The Colbert Report discussing Wikipedia. In the clip, Colbert says that “any website that has a longer entry on truthiness than Lutheranism has got its priorities straight.” His keynote continued by re-emphasising Wikimedia’s mission, as stated by Wales in a Slashdot interview: “Imagine a world in which every single person on the planet is given free access to the sum of all human knowledge. That’s what we’re doing”.

Wales stated that Wikipedia is “not as good as Britannica — yet”. Additionally, he also stated that in the coming year, Wikipedia will be making “a turn towards quality”. “We have always had this goal, but we all know we’re not there yet – in the coming years one of the themes is going to be a turn towards quality.” said Wales.

He then introduced Brad Patrick, the general counsel and recently-appointed interim CEO of Wikimedia. Patrick said he found Wikimedia after reading Wales’ list Ten Things That Will Be Free on Lawrence Lessig‘s blog. After discovering the Wikimedia Foundation, Patrick emailed Wales about meeting for lunch. He had lunch with Wales a few months later and was hired as general counsel shortly after.

Wales went on to describe Wikia, the company he co-founded with Angela Beesley. He announced that Wikia has received venture capital, allowing them to hire full-time engineers to work on the MediaWiki software. He emphasized that Wikia, has “a total commitment to free knowledge and respect for communities.”

Later, Wales announced that the One Laptop Per Child project will be including Wikipedia as the first element in the content repository. He also announced that the board has approved Wikiversity as “a center for the creation and use of free learning materials and activities”. Wikiversity will “create and host a range of free-content multilingual learning materials for all age groups in all languages”. It will be launched soon with a three language, six month, beta trial period.

Wales described a project called Wikiwyg: a WYSIWYG editor for the wiki. Wikiwyg is an attempt to make the wiki easier to edit. “An intelligence test by making it hard to edit, just does not work,” noted Wales. While the release date is uncertain both Wikia and Socialtext are devoting full-time engineers to the project.

Wales emphasized the need to focus on quality. He also briefly discussed the commitment in the German Wikipedia to rolling out a stable version. He stated that if we do not have it rolled out by next year’s keynote “we are making a big mistake”.

Wales finished his keynote by giving an update on his Ten Things That Will Be Free and proposing “that the foundation seek funding to hire community coordinator and recruiters for important languages where we currently do poorly”.

This article features first-hand journalism by Wikinews members. See the collaboration page for more details.
This article features first-hand journalism by Wikinews members. See the collaboration page for more details.

Other notable speakers included Ward Cunningham, Lawrence Lessig, Eben Moglen and many members of the Wikimedia communities.

The day wrapped up with a poster reception and a party celebrating Wikia’s 250,000 articles and Wikia’s founders Angela Beesley and Jimmy Wales birthdays.

Archived copies of many of the presentations are available on the Wikimania wiki.

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John Vanderslice plays New York City: Wikinews interview
Sep 14

Thursday, September 27, 2007

John Vanderslice has recently learned to enjoy America again. The singer-songwriter, who National Public Radio called “one of the most imaginative, prolific and consistently rewarding artists making music today,” found it through an unlikely source: his French girlfriend. “For the first time in my life I wouldn’t say I was defending the country but I was in this very strange position…”

Since breaking off from San Francisco local legends, mk Ultra, Vanderslice has produced six critically-acclaimed albums. His most recent, Emerald City, was released July 24th. Titled after the nickname given to the American-occupied Green Zone in Baghdad, it chronicles a world on the verge of imminent collapse under the weight of its own paranoia and loneliness. David Shankbone recently went to the Bowery Ballroom and spoke with Vanderslice about music, photography, touring and what makes a depressed liberal angry.


DS: How is the tour going?

JV: Great! I was just on the Wiki page for Inland Empire, and there is a great synopsis on the film. What’s on there is the best thing I have read about that film. The tour has been great. The thing with touring: say you are on vacation…let’s say you are doing an intense vacation. I went to Thailand alone, and there’s a part of you that just wants to go home. I don’t know what it is. I like to be home, but on tour there is a free floating anxiety that says: Go Home. Go Home.

DS: Anywhere, or just outside of the country?

JV: Anywhere. I want to be home in San Francisco, and I really do love being on tour, but there is almost like a homing beacon inside of me that is beeping and it creates a certain amount of anxiety.

DS: I can relate: You and I have moved around a lot, and we have a lot in common. Pranks, for one. David Bowie is another.

JV: Yeah, I saw that you like David Bowie on your MySpace.

DS: When I was in college I listened to him nonstop. Do you have a favorite album of his?

JV: I loved all the things from early to late seventies. Hunky Dory to Low to “Heroes” to Lodger. Low changed my life. The second I got was Hunky Dory, and the third was Diamond Dogs, which is a very underrated album. Then I got Ziggy Stardust and I was like, wow, this is important…this means something. There was tons of music I discovered in the seventh and eighth grade that I discovered, but I don’t love, respect and relate to it as much as I do Bowie. Especially Low…I was just on a panel with Steve Albini about how it has had a lot of impact.

DS: You said seventh and eighth grade. Were you always listening to people like Bowie or bands like the Velvets, or did you have an Eddie Murphy My Girl Wants to Party All the Time phase?

JV: The thing for me that was the uncool music, I had an older brother who was really into prog music, so it was like Gentle Giant and Yes and King Crimson and Genesis. All the new Genesis that was happening at the time was mind-blowing. Phil Collins‘s solo record…we had every single solo record, like the Mike Rutherford solo record.

DS: Do you shun that music now or is it still a part of you?

JV: Oh no, I appreciate all music. I’m an anti-snob. Last night when I was going to sleep I was watching Ocean’s Thirteen on my computer. It’s not like I always need to watch some super-fragmented, fucked-up art movie like Inland Empire. It’s part of how I relate to the audience. We end every night by going out into the audience and playing acoustically, directly, right in front of the audience, six inches away—that is part of my philosophy.

DS: Do you think New York or San Francisco suffers from artistic elitism more?

JV: I think because of the Internet that there is less and less elitism; everyone is into some little superstar on YouTube and everyone can now appreciate now Justin Timberlake. There is no need for factions. There is too much information, and I think the idea has broken down that some people…I mean, when was the last time you met someone who was into ska, or into punk, and they dressed the part? I don’t meet those people anymore.

DS: Everything is fusion now, like cuisine. It’s hard to find a purely French or purely Vietnamese restaurant.

JV: Exactly! When I was in high school there were factions. I remember the guys who listened to Black Flag. They looked the part! Like they were in theater.

DS: You still find some emos.

JV: Yes, I believe it. But even emo kids, compared to their older brethren, are so open-minded. I opened up for Sunny Day Real Estate and Pedro the Lion, and I did not find their fans to be the cliquish people that I feared, because I was never playing or marketed in the emo genre. I would say it’s because of the Internet.

DS: You could clearly create music that is more mainstream pop and be successful with it, but you choose a lot of very personal and political themes for your music. Are you ever tempted to put out a studio album geared toward the charts just to make some cash?

JV: I would say no. I’m definitely a capitalist, I was an econ major and I have no problem with making money, but I made a pact with myself very early on that I was only going to release music that was true to the voices and harmonic things I heard inside of me—that were honestly inside me—and I have never broken that pact. We just pulled two new songs from Emerald City because I didn’t feel they were exactly what I wanted to have on a record. Maybe I’m too stubborn or not capable of it, but I don’t think…part of the equation for me: this is a low stakes game, making indie music. Relative to the world, with the people I grew up with and where they are now and how much money they make. The money in indie music is a low stakes game from a financial perspective. So the one thing you can have as an indie artist is credibility, and when you burn your credibility, you are done, man. You can not recover from that. These years I have been true to myself, that’s all I have.

DS: Do you think Spoon burned their indie credibility for allowing their music to be used in commercials and by making more studio-oriented albums? They are one of my favorite bands, but they have come a long way from A Series of Sneaks and Girls Can Tell.

JV: They have, but no, I don’t think they’ve lost their credibility at all. I know those guys so well, and Brit and Jim are doing exactly the music they want to do. Brit owns his own studio, and they completely control their means of production, and they are very insulated by being on Merge, and I think their new album—and I bought Telephono when it came out—is as good as anything they have done.

DS: Do you think letting your music be used on commercials does not bring the credibility problem it once did? That used to be the line of demarcation–the whole Sting thing–that if you did commercials you sold out.

JV: Five years ago I would have said that it would have bothered me. It doesn’t bother me anymore. The thing is that bands have shrinking options for revenue streams, and sync deals and licensing, it’s like, man, you better be open to that idea. I remember when Spike Lee said, ‘Yeah, I did these Nike commercials, but it allowed me to do these other films that I wanted to make,’ and in some ways there is an article that Of Montreal and Spoon and other bands that have done sync deals have actually insulated themselves further from the difficulties of being a successful independent band, because they have had some income come in that have allowed them to stay put on labels where they are not being pushed around by anyone.
The ultimate problem—sort of like the only philosophical problem is suicide—the only philosophical problem is whether to be assigned to a major label because you are then going to have so much editorial input that it is probably going to really hurt what you are doing.

DS: Do you believe the only philosophical question is whether to commit suicide?

JV: Absolutely. I think the rest is internal chatter and if I logged and tried to counter the internal chatter I have inside my own brain there is no way I could match that.

DS: When you see artists like Pete Doherty or Amy Winehouse out on suicidal binges of drug use, what do you think as a musician? What do you get from what you see them go through in their personal lives and their music?

JV: The thing for me is they are profound iconic figures for me, and I don’t even know their music. I don’t know Winehouse or Doherty’s music, I just know that they are acting a very crucial, mythic part in our culture, and they might be doing it unknowingly.

DS: Glorification of drugs? The rock lifestyle?

JV: More like an out-of-control Id, completely unregulated personal relationships to the world in general. It’s not just drugs, it’s everything. It’s arguing and scratching people’s faces and driving on the wrong side of the road. Those are just the infractions that land them in jail. I think it might be unknowing, but in some ways they are beautiful figures for going that far off the deep end.

DS: As tragic figures?

JV: Yeah, as totally tragic figures. I appreciate that. I take no pleasure in saying that, but I also believe they are important. The figures that go outside—let’s say GG Allin or Penderetsky in the world of classical music—people who are so far outside of the normal boundaries of behavior and communication, it in some way enlarges the size of your landscape, and it’s beautiful. I know it sounds weird to say that, but it is.

DS: They are examples, as well. I recently covered for Wikinews the Iranian President speaking at Columbia and a student named Matt Glick told me that he supported the Iranian President speaking so that he could protest him, that if we don’t give a platform and voice for people, how can we say that they are wrong? I think it’s almost the same thing; they are beautiful as examples of how living a certain way can destroy you, and to look at them and say, “Don’t be that.”

JV: Absolutely, and let me tell you where I’m coming from. I don’t do drugs, I drink maybe three or four times a year. I don’t have any problematic relationship to drugs because there has been a history around me, like probably any musician or creative person, of just blinding array of drug abuse and problems. For me, I am a little bit of a control freak and I don’t have those issues. I just shut those doors. But I also understand and I am very sympathetic to someone who does not shut that door, but goes into that room and stays.

DS: Is it a problem for you to work with people who are using drugs?

JV: I would never work with them. It is a very selfish decision to make and usually those people are total energy vampires and they will take everything they can get from you. Again, this is all in theory…I love that stuff in theory. If Amy Winehouse was my girlfriend, I would probably not be very happy.

DS: Your latest CD is Emerald City and that is an allusion to the compound that we created in Baghdad. How has the current political client affected you in terms of your music?

JV: In some ways, both Pixel Revolt and Emerald City were born out of a recharged and re-energized position of my being….I was so beaten down after the 2000 election and after 9/11 and then the invasion of Iraq, Afghanistan; I was so depleted as a person after all that stuff happened, that I had to write my way out of it. I really had to write political songs because for me it is a way of making sense and processing what is going on. The question I’m asked all the time is do I think is a responsibility of people to write politically and I always say, My God, no. if you’re Morrissey, then you write Morrissey stuff. If you are Dan Bejar and Destroyer, then you are Dan Bejar and you are a fucking genius. Write about whatever it is you want to write about. But to get out of that hole I had to write about that.

DS: There are two times I felt deeply connected to New York City, and that was 9/11 and the re-election of George Bush. The depression of the city was palpable during both. I was in law school during the Iraq War, and then when Hurricane Katrina hit, we watched our countrymen debate the logic of rebuilding one of our most culturally significant cities, as we were funding almost without question the destruction of another country to then rebuild it, which seems less and less likely. Do you find it is difficult to enjoy living in America when you see all of these sorts of things going on, and the sort of arguments we have amongst ourselves as a people?

JV: I would say yes, absolutely, but one thing changed that was very strange: I fell in love with a French girl and the genesis of Emerald City was going through this visa process to get her into the country, which was through the State Department. In the middle of process we had her visa reviewed and everything shifted over to Homeland Security. All of my complicated feelings about this country became even more dour and complicated, because here was Homeland Security mailing me letters and all involved in my love life, and they were grilling my girlfriend in Paris and they were grilling me, and we couldn’t travel because she had a pending visa. In some strange ways the thing that changed everything was that we finally got the visa accepted and she came here. Now she is a Parisian girl, and it goes without saying that she despises America, and she would never have considered moving to America. So she moves here and is asking me almost breathlessly, How can you allow this to happen

DS: –you, John Vanderslice, how can you allow this—

JV: –Me! Yes! So for the first time in my life I wouldn’t say I was defending the country but I was in this very strange position of saying, Listen, not that many people vote and the churches run fucking everything here, man. It’s like if you take out the evangelical Christian you have basically a progressive western European country. That’s all there is to it. But these people don’t vote, poor people don’t vote, there’s a complicated equation of extreme corruption and voter fraud here, and I found myself trying to rattle of all the reasons to her why I am personally not responsible, and it put me in a very interesting position. And then Sarkozy got elected in France and I watched her go through the same horrific thing that we’ve gone through here, and Sarkozy is a nut, man. This guy is a nut.

DS: But he doesn’t compare to George Bush or Dick Cheney. He’s almost a liberal by American standards.

JV: No, because their President doesn’t have much power. It’s interesting because he is a WAPO right-wing and he was very close to Le Pen and he was a card-carrying straight-up Nazi. I view Sarkozy as somewhat of a far-right candidate, especially in the context of French politics. He is dismantling everything. It’s all changing. The school system, the remnants of the socialized medical care system. The thing is he doesn’t have the foreign policy power that Bush does. Bush and Cheney have unprecedented amounts of power, and black budgets…I mean, come on, we’re spending half a trillion dollars in Iraq, and that’s just the money accounted for.

DS: What’s the reaction to you and your music when you play off the coasts?

JV: I would say good…

DS: Have you ever been Dixiechicked?

JV: No! I want to be! I would love to be, because then that means I’m really part of some fiery debate, but I would say there’s a lot of depressed in every single town. You can say Salt Lake City, you can look at what we consider to be conservative cities, and when you play those towns, man, the kids that come out are more or less on the same page and politically active because they are fish out of water.

DS: Depression breeds apathy, and your music seems geared toward anger, trying to wake people from their apathy. Your music is not maudlin and sad, but seems to be an attempt to awaken a spirit, with a self-reflective bent.

JV: That’s the trick. I would say that honestly, when Katrina happened, I thought, “okay, this is a trick to make people so crazy and so angry that they can’t even think. If you were in a community and basically were in a more or less quasi-police state surveillance society with no accountability, where we are pouring untold billions into our infrastructure to protect outside threats against via terrorism, or whatever, and then a natural disaster happens and there is no response. There is an empty response. There is all these ships off the shore that were just out there, just waiting, and nobody came. Michael Brown. It is one of the most insane things I have ever seen in my life.

DS: Is there a feeling in San Francisco that if an earthquake struck, you all would be on your own?

JV: Yes, of course. Part of what happened in New Orleans is that it was a Catholic city, it was a city of sin, it was a black city. And San Francisco? Bush wouldn’t even visit California in the beginning because his numbers were so low. Before Schwarzenegger definitely. I’m totally afraid of the earthquake, and I think everyone is out there. America is in the worst of both worlds: a laissez-fare economy and then the Grover Norquist anti-tax, starve the government until it turns into nothing more than a Argentinian-style government where there are these super rich invisible elite who own everything and there’s no distribution of wealth and nothing that resembles the New Deal, twentieth century embracing of human rights and equality, war against poverty, all of these things. They are trying to kill all that stuff. So, in some ways, it is the worst of both worlds because they are pushing us towards that, and on the same side they have put in a Supreme Court that is so right wing and so fanatically opposed to upholding civil rights, whether it be for foreign fighters…I mean, we are going to see movement with abortion, Miranda rights and stuff that is going to come up on the Court. We’ve tortured so many people who have had no intelligence value that you have to start to look at torture as a symbolic and almost ritualized behavior; you have this…

DS: Organ failure. That’s our baseline…

JV: Yeah, and you have to wonder about how we were torturing people to do nothing more than to send the darkest signal to the world to say, Listen, we are so fucking weird that if you cross the line with us, we are going to be at war with your religion, with your government, and we are going to destroy you.

DS: I interviewed Congressman Tom Tancredo, who is running for President, and he feels we should use as a deterrent against Islam the bombing of the Muslim holy cities of Mecca and Medina.

JV: You would radicalize the very few people who have not been radicalized, yet, by our actions and beliefs. We know what we’ve done out there, and we are going to paying for this for a long time. When Hezbollah was bombing Israel in that border excursion last year, the Hezbollah fighters were writing the names of battles they fought with the Jews in the Seventh Century on their helmets. This shit is never forgotten.

DS: You read a lot of the stuff that is written about you on blogs and on the Internet. Do you ever respond?

JV: No, and I would say that I read stuff that tends to be . I’ve done interviews that have been solely about film and photography. For some reason hearing myself talk about music, and maybe because I have been talking about it for so long, it’s snoozeville. Most interviews I do are very regimented and they tend to follow a certain line. I understand. If I was them, it’s a 200 word piece and I may have never played that town, in Des Moines or something. But, in general, it’s like…my band mates ask why don’t I read the weeklies when I’m in town, and Google my name. It would be really like looking yourself in the mirror. When you look at yourself in the mirror you are just error-correcting. There must be some sort of hall of mirrors thing that happens when you are completely involved in the Internet conversation about your music, and in some ways I think that I’m very innocently making music, because I don’t make music in any way that has to do with the response to that music. I don’t believe that the response to the music has anything to do with it. This is something I got from John Cage and Marcel Duchamp, I think the perception of the artwork, in some ways, has nothing to do with the artwork, and I think that is a beautiful, glorious and flattering thing to say to the perceiver, the viewer of that artwork. I’ve spent a lot of time looking at Paul Klee‘s drawings, lithographs, watercolors and paintings and when I read his diaries I’m not sure how much of a correlation there is between what his color schemes are denoting and what he is saying and what I am getting out of it. I’m not sure that it matters. Inland Empire is a great example. Lynch basically says, I don’t want to talk about it because I’m going to close doors for the viewer. It’s up to you. It’s not that it’s a riddle or a puzzle. You know how much of your own experience you are putting into the digestion of your own art. That’s not to say that that guy arranges notes in an interesting way, and sings in an interesting way and arranges words in an interesting way, but often, if someone says they really like my music, what I want to say is, That’s cool you focused your attention on that thing, but it does not make me go home and say, Wow, you’re great. My ego is not involved in it.

DS: Often people assume an artist makes an achievement, say wins a Tony or a Grammy or even a Cable Ace Award and people think the artist must feel this lasting sense of accomplishment, but it doesn’t typically happen that way, does it? Often there is some time of elation and satisfaction, but almost immediately the artist is being asked, “Okay, what’s the next thing? What’s next?” and there is an internal pressure to move beyond that achievement and not focus on it.

JV: Oh yeah, exactly. There’s a moment of relief when a mastered record gets back, and then I swear to you that ten minutes after that point I feel there are bigger fish to fry. I grew up listening to classical music, and there is something inside of me that says, Okay, I’ve made six records. Whoop-dee-doo. I grew up listening to Gustav Mahler, and I will never, ever approach what he did.

DS: Do you try?

JV: I love Mahler, but no, his music is too expansive and intellectual, and it’s realized harmonically and compositionally in a way that is five languages beyond me. And that’s okay. I’m very happy to do what I do. How can anyone be so jazzed about making a record when you are up against, shit, five thousand records a week—

DS: —but a lot of it’s crap—

JV: —a lot of it’s crap, but a lot of it is really, really good and doesn’t get the attention it deserves. A lot of it is very good. I’m shocked at some of the stuff I hear. I listen to a lot of music and I am mailed a lot of CDs, and I’m on the web all the time.

DS: I’ve done a lot of photography for Wikipedia and the genesis of it was an attempt to pin down reality, to try to understand a world that I felt had fallen out of my grasp of understanding, because I felt I had no sense of what this world was about anymore. For that, my work is very encyclopedic, and it fit well with Wikipedia. What was the reason you began investing time and effort into photography?

JV: It came from trying to making sense of touring. Touring is incredibly fast and there is so much compressed imagery that comes to you, whether it is the window in the van, or like now, when we are whisking through the Northeast in seven days. Let me tell you, I see a lot of really close people in those seven days. We move a lot, and there is a lot of input coming in. The shows are tremendous and, it is emotionally so overwhelming that you can not log it. You can not keep a file of it. It’s almost like if I take photos while I am doing this, it slows it down or stops it momentarily and orders it. It has made touring less of a blur; concretizes these times. I go back and develop the film, and when I look at the tour I remember things in a very different way. It coalesces. Let’s say I take on fucking photo in Athens, Georgia. That’s really intense. And I tend to take a photo of someone I like, or photos of people I really admire and like.

DS: What bands are working with your studio, Tiny Telephone?

JV: Death Cab for Cutie is going to come back and track their next record there. Right now there is a band called Hello Central that is in there, and they are really good. They’re from L.A. Maids of State was just in there and w:Deerhoof was just in there. Book of Knotts is coming in soon. That will be cool because I think they are going to have Beck sing on a tune. That will be really cool. There’s this band called Jordan from Paris that is starting this week.

DS: Do they approach you, or do you approach them?

JV I would say they approach me. It’s generally word of mouth. We never advertise and it’s very cheap, below market. It’s analog. There’s this self-fulfilling thing that when you’re booked, you stay booked. More bands come in, and they know about it and they keep the business going that way. But it’s totally word of mouth.

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On the campaign trail in the USA, May 2016
Sep 14

Monday, June 13, 2016

The following is the first edition of a monthly series chronicling the U.S. 2016 presidential election. It features original material compiled throughout the previous month after an overview of the month’s biggest stories.

In this month’s edition on the campaign trail: a former Republican congressman briefly joins the Libertarian Party and runs for vice president; the Democratic Party names its National Convention Platform Drafting Committee amid controversy; and Wikinews interviews a candidate who had a surprisingly strong performance in the West Virginia Democratic presidential primary.

Contents

  • 1 Summary
  • 2 Ex GOP congressman joins LP, seeks VP, then leaves
  • 3 DNC aims for unity with Platform Drafting Committee picks; controversy ensues
  • 4 Interview with overachieving West Virginia Democratic protest candidate
  • 5 Related articles
  • 6 Sources
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Brochure Design What Can It Do For A Restaurant? Sep 05

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Submitted by: Deana Meske

One of the most lucrative industries in the world is the food industry. Even when recession badly hits all kinds of businesses, food industry and restaurants continue to survive. After all, people need something to eat in order to live. This is the reason why this industry doesn t get affected much by the recession. We all work so we can put food on the table to feed our families. Now, even though restaurants have a good future in terms of making money, but the competition is not so low. As people know that this industry is profitable, a lot of business minded people start their own restaurants.

Now, it s a common and known fact that an industry that promises to give high profits will always have intense competition. So, restaurant owners can t just sit and think that they will enjoy big profits every day. They have to work hard to retain their existing customers and continuously attract new customers to come and try their food. Hence, what you need is a solid marketing plan to ensure that your business look alive. When it comes to promoting a restaurant and its food, one of the best marketing tools, that is widely used, is called Brochure.

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A top quality brochure design can do wonders for your business. A lot of fast food restaurants highly rely on brochures and pamphlets to announce new products and promotions. They especially use them during special seasons, like famous sports events, Christmas, New Year and so on. What you can do is that you can come up with new deals or offer discount on your existing deals and then create a top quality brochure design to promote your promotions. This way you will be able to send your message to thousands of people at the same time, resulting in way too much exposure for your business.

There are a lot of catalogues that only publish coupons and include promotions. These are sent to people in different areas free of cost. Yes, people don t buy them, but receive them in mail for free. These companies make money by charging the businesses. So, after you create a quality brochure for your restaurant with attractive deals and discounts, you can contact them and ask them to deliver your brochure along with their catalogues. You can also tell them that which area you would like to target so that your brochure won t go to areas far away from you.

Now, what will people do after they will receive your brochure? Well, if they have never ever tried your food then they will first look at the brochure design and see how professional it looks. If it lacks in quality then they will think that you won t offer high quality food. This is why you need to create a top-quality design to ensure that you convert the reader into a customer and make them either drive to your restaurant or pick up the phone to order. Regarding your existing customers, they will be glad to see new deals that will save them money and they will feel compelled to pay a visit.

About the Author: Deana Meske is social media worker and is specialized in Logo Design

logoinn.com/

& Brochure Design

logoinn.com/graphic-design/Brochure.aspx

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Ford’s US auto sales spike, surpassing GM
Sep 05

Wednesday, March 3, 2010

Ford Motor Company said on Tuesday that its sales in the United States rose 43% in February compared to the same period last year, as the automaker outsold rivals Toyota and General Motors.

The strength of our new products … are resonating with customers

Ford said that total sales improved to 142,285 units, compared to 141,951 units sold by GM. Additionally, Ford said that its share of the total US car market rose to 17%, up from 14% a year ago. The increase was better than analysts had predicted, and Ford’s stock rose to a five-year high in morning trading, before declining later in the day. Ford’s sales were significantly influenced by a 74% increase in fleet sales to businesses. Rental car agencies alone accounted for around 30,000 units sold. Sales to retail consumers increased only 28%.

The increases were led by sales of two sedans, the Fusion and Taurus, which rose 166.5 and 93.3% respectively, although sales of other models such as SUVs and pickup trucks also increased. Both models were significantly redesigned last year, and analysts said that improved quality from such cars were driving the increases.

Other companies also reported February sales today, nearly all reporting sales gains as well, although none as large as those of Ford. Toyota was the sole exception to the sales gains, as their sales declined 8.7%, as the company was faced with a global recall during the month that led to a temporary stoppage of production for some models.

“The strength of our new products … are resonating with customers,” said Ken Czubay, Ford’s vice president of sales and marketing. However, he believed that traditional Toyota customers were not buying rival autos, but rather awaiting the results from the recalls.

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Pupils fed through gates, school criticised
Sep 05

Friday, September 15, 2006

Schoolchildren at Rawmarsh Comprehensive School in South Yorkshire, England, are being fed fish and chips by their parents through the school gates at lunchtimes because parents do not believe their children are being given enough choice of food at lunchtime.

The parents are standing outside the school gates in a cemetery to take the orders of food from the children, and then go and pick up the food for them. Parents say that this is because the children do not like the quality of food being served in the school cafeteria, and so the parents are only giving the children what they want – which is a hot and tasty lunchtime meal.

Head Teacher John Lambert has lashed back at the parents, calling the delivery of food through the gates immoral and stating that it is not “helping the children or their school” by bringing the junk food in. He also stated that “[The School] aims to provide good quality food which is within government healthy eating guidelines and helps the children’s learning in the afternoon”. Parents have defended the delivery of food by saying that not only are they receiving orders for burgers and chips, but also for salad rolls, jacket potatoes, and other healthy foods.

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Cyberattack, not HBO comedian, caused website wipeout, says FCC
Sep 04

Wednesday, May 10, 2017

Late Sunday night and Monday morning, the website of the United States Federal Communications Commission (FCC) became unresponsive, which interfered with attempts by the public to express their views on the proposals currently up for comment, including one about Net Neutrality. Although comedian John Oliver on his show Last Week Tonight had asked his viewers to inundate the website with comments supporting Net Neutrality, the FCC says a DDoS (distributed denial-of-service) cyberattack, not angry HBO fans, are responsible for their website’s issues.

FCC Chief Information Officer David Bray explained in a formal statement that FCC.gov’s problems did not come from a large volume of complaints and comments, which is what Oliver had asked his fans to make, but from sabotage. “These actors were not attempting to file comments themselves; rather they made it difficult for legitimate commenters to access and file with the FCC,” said Bray.

Net Neutrality is the idea that Internet providers should not be allowed to speed up or slow down access to certain websites, which would presumably be done for payment. In 2014, the U.S. government ruled Internet providers must be held to standards similar to those of telephone companies and changed their legal classification to fall under Title II of the 1934 Telecommunications Act, which gave the FCC the legal authority to order them not to give preferential treatment to high-paying customers.

In response to a previous Net Neutrality proposal in 2014, John Oliver did a segment on the fifth episode of Last Week Tonight explaining the difference between Title I and Title II status and asking his viewers to flood the FCC’s websites with comments supporting regulation. Approximately 4 million did so, and the website crashed. Sunday night, Oliver asked the public to repeat the performance, recommending comments to make and providing a single link to take them to the exact part of FCC.gov required: “America needs you to rise — or more accurately, remain seated in front of your computer screen — to this occasion,” said Oliver on the air. “So please, fly my pretties, fly once more!” Again, the FCC website soon suffered problems.

Despite Sunday night’s issues, the FCC still received tens of thousands of comments on the proposed relaxing of the 2014 regulations, which is up for a vote on May 18.

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Top Fundraising Companies} Aug 28

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Submitted by: Corbin Reynolds

Fundraising companies have helped raise billions of dollars for nonprofit organizations in the past few years, using a variety of different fundraising events and programs. School, church, and nonprofit fundraisers have been incredibly successful when working with some of these companies.

Fundraising for your nonprofit organization is incredibly important for its survival. Be sure to work with a well-known fundraising company to achieve the best results. Following are some of the top charity fundraising companies in the industry and their top fundraiser.

1) GivingJOE GivingJOE is an online fundraising company that helps nonprofit organizations earn money each time their members shop online. This fundraiser is completely free for organizations to sign up for, and shoppers to use. Online fundraising involves three simple steps.

1) Shopper must go to an online fundraising website

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2) Choose the organization they wish to support

3) Choose from hundreds of online merchants to shop from

After a purchase is made, a donation is sent to the selected organization. Shoppers can find great savings by shopping online including free shipping and other bundle offers. GivingJOE also offers a program no other fundraising company is doing, which allows shoppers to earn a percent of their purchase for themselves.

This is one of the most popular fundraising ideas nonprofit organizations are utilizing and GivingJOE is among the top fundraising companies in this industry.

2) ABC Fundraising Cookie dough fundraisers are an idea many top fundraising companies recommend, but none do it better than ABC Fundraising. This easy fundraising idea allows organizations to earn up to 80% profits with little up front costs. ABCs cookie dough fundraiser is much more effective than many other fundraising companies, because they provide the materials needed to conduct the event with very little costs.

Cookie dough fundraising is incredibly popular around schools and churches, so next time you plan on hosting one, be sure to use the ABC Fundraising program. ABC Fundraising also offers other programs like product sales, scratch cards, and many more fundraisers.

3) QSP Magazine fundraisers have become incredibly effective for schools and nonprofit organizations. QSP is the leading fundraising company in this industry. To date they have helped raise over $3 Billion for school fundraisers.

Magazine fundraising is very simple. For each magazine subscription sold, your school or organization will receive a donation. This is very effective in the fact that most people across the country already subscribe to magazines annually. QSP provides organizations with all the tools necessary to succeed in creating a very effective fundraiser.

4) Funding Factory Funding Factory is a fundraising company that allows people to raise money by recycling old cell phones, laptops, and printer cartridges. Funding Factorys recycling fundraisers are great for schools and churches. While the earnings from this fundraising company arent very substantial, its a great way for people to support the environment while raising money.

Those are some of the top charity fundraising companies in the industry. Next time your organization is in need of fundraising be sure to work with one of these fundraising companies and your organization is guaranteed sure success.

About the Author: Get started raising money for your nonprofit organizations. Get started free with

online fundraising

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Eastern Conference wins 2008 NBA All-Star Game
Aug 28

Monday, February 18, 2008

Eastern Conference 134 128 Western Conference

The Eastern Conference defeated their Western Conference counterparts at the 2008 National Basketball Association All-Star Game held at New Orleans Arena in New Orleans, Louisiana on Sunday. The final score was 134-128.

The East took an early 11 point lead in the first 5 minutes, due to an injured Kobe Bryant only playing 2 minutes before sitting on the bench for the rest of the game. “There’s one player we really, really missed, and that was Kobe,” said West coach Byron Scott. The West later reduced the lead to 2 points, but at halftime, the East led 74-65.

The West trailed by 13 at the beginning of the fourth quarter, but rallied behind New Orleans point guard Chris Paul, who had seven assists in the final period. With 2:48 remaining, Brandon Roy scored a layup on an assist from Paul, giving the West a 122-119 lead, their biggest lead of the game.

The East then answered back with two three-pointers from Ray Allen, before Chris Paul tied the game with a three-pointer of his own. However, the East would then take the lead and the game with layups from Dwyane Wade and Allen, as well as a driving dunk from LeBron James. A Brandon Roy three-pointer put the game within three points with 8.7 seconds left, but 3 free throws from Ray Allen sealed the win for the East.

“The fourth quarter was crazy,” said Chris Paul. “We were down 13. We picked up the intensity. We took the lead a few times but Ray Allen was unbelievable the way he shot the ball. And that last dunk by LeBron, we had two people on him but that still wasn’t enough.”

With 27 points, 8 rebounds, and 9 assists, James was named the All-Star Game’s Most Valuable Player for the second time in his career. Some television commentators also considered Ray Allen a likely choice for the award, with 14 of his 28 points coming in the final 3 minutes of the game. “I think Ray Allen had a heck of a shooting night,” James said after being presented the award.

Contents

  • 1 Other All-Star events
    • 1.1 T-Mobile Rookie Challenge
    • 1.2 Haier Shooting Stars Competition
    • 1.3 Playstation Skills Challenge
    • 1.4 Foot Locker Three-Point Shootout
    • 1.5 Sprite Slam Dunk Contest
  • 2 Related news
  • 3 Sources
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